Richard Moss (b. 1983, Johannesburg, South Africa) is a London-based multidisciplinary artist whose practice fuses art, architecture, and technology into restless systems. Through charcoal studies of ancient fragments and kinetic installations in steel, glass, and software, he creates hybrids that resist categorisation—simultaneously artefact, performance, and invention.

Moss studied art history and structural engineering at Brown University before completing a master’s in engineering at Imperial College London. He worked in civic architecture under Santiago Calatrava in New York, while developing his artistic voice at the New York Studio School with Graham Nickson, and later at the Royal College of Art and the Royal Drawing School.

He is the founder of Rogue Projects, a UK-based collective renowned for creative machines and functional artworks that merge mechanics, software, and wit into choreographed encounters. The studio’s works have been commissioned by Hermès, Netflix, Glenmorangie, and Moët Hennessy, and awarded internationally.

Moss’s works have been exhibited at Art on Paper New York, Seattle Art Fair, and the Nelson Mandela Foundation, and have been featured by BBC, Fast Company, SF MoMA, and Cool Hunting. His practice frames civilisation not as a static record but as a choreography of turbulence, humour, and invention.