Richard Moss (b. 1983, Johannesburg, South Africa) is a London-based artist, designer, and engineer whose practice spans drawing, painting, sculpture, and mechanical installation. Working at the intersection of art, engineering, and performance, he explores themes of movement, mechanics, natural history, memory, displacement, and the systems through which societies construct meaning.

Moss studied Art History and Structural Engineering at Brown University before completing a Master's degree in Engineering at Imperial College London. He worked in civic architecture in New York under Santiago Calatrava while developing his artistic practice at the New York Studio School, later continuing his studies at the Royal College of Art and the Royal Drawing School.

His artistic work ranges from large-scale charcoal drawings and paintings to studies made from life in museums, archives, and landscapes. Whether depicting musicians in motion, fragments of civilisation, or solitary trees in urban environments, Moss's work is concerned with the passage of time and the traces left by people, objects, and places. Drawing remains central to his practice, a method of enquiry through which observation, memory, and invention are brought into dialogue.

Alongside his fine art practice, Moss is the founder of Rogue Projects, a London-based studio known for its creative machines and functional artworks that combine mechanics, software, choreography, and storytelling. The studio's commissions for brands including Hermès, Netflix, Glenmorangie, and Moët Hennessy have received international recognition and reflect his belief that wonder emerges through experimentation, collaboration, and making.

Moss's work has been exhibited internationally. His projects have been featured by the BBC, Fast Company, SFMoMA, and Cool Hunting. Across all disciplines, his practice considers civilisation not as a fixed record but as an ongoing choreography of turbulence, humour, invention, and human endeavour.